>Unusual advice and s-t-r-e-t-c-h-i-n-g

>I ran across two things this morning that started me thinking about choices that make us stretch as writers and how sometimes the best advice is found off the beaten track.

The first bit of inspiration for this post came from Lynn Raye Harris’ blog and her belief that she’d begun making better choices and was moving forward in her writing.

The second comes from buzz around the ‘net regarding CJ Lyons’ recently released Lifeline. Her “the call” story is amazing to the point of being almost unbelievable and hugely inspiring at the same time. In an interview by Margie Lawson, CJ was asked if she had any recommendations for those writers working toward eradicating “self-defeating behaviors.” CJ’s responded with this unusual bit of advice:

I think it’s vital to know why you write—if submitting to agents and editors and trying to get published is sucking all the joy out of something you once loved, then hey, stop submitting, stop trying to get published. Just because someone else says “writers must try to get published” you don’t need to buy into that.

I love that! Maybe because I gave similar advice in an article I wrote about pitching, which essentially said if you’re not ready, don’t pitch just because everyone thinks you should.

CJ’s advice, IMO, is spot-on. I’m in the process of writing up my 2007 taxes summary page for my accountant, and there’s a noticable absence of submissions and contests compared to other years. Why? Because I realized I was submitting stuff that wasn’t quite there yet and I needed to hone my skills. Instead of contests and queries, I took classes and re-read material from craft books and previous classes. I also studied the line I’m targeting, extensively, and concentrated on developing story lines and twists that were more imaginative.

I see a big difference in my writing as a result. I’m able to spot cliche’s more readily and avoid them. I don’t take my first idea and treat it like gold anymore, nor the second or third. I’m more open to others seeing problems in my writing I’m too close to see and appreciate that I have a chance to fix those things before an editor sees them. Like Lynn, I feel like I make better choices in my writing and concerning my career. At times I feel like I’m standing still and at others, moving forward at breakneck speed.

What about you? Have you ever looked at your writing and felt you needed to just ‘drop out’ of the publishing race and practice? Or maybe a piece of advice really resonated with you and changed your writing life. Share it with me, won’t you?

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>A-I, Top 8 Guys

>Damn, they did a good job. I may have to rethink my earlier assessment of Jason Castro. Maybe he just knows his niche and does it well, because his performance was the bomb.

The 3 David’s were on their game and Hernandez’ stripper past went unreferenced. Not that it should be mentioned. This is a singing competition, and if stripping doesn’t affect their viability as a performer, why should it be a factor?

Paula is…too much herself lately. On this I have to agree with Karin. Maybe she took too much medication or something, but I could barely stand to listen to her. Thank God for TIVO and fast forward.

Who’s going home? I still say Luke Menard is out. As for the other guy to go, it’s anyone’s guess. Karin’s hoping for Danny Noriega and I can see why after viewing his disgusting and very angry video on TMZ, Unlike Hernandez, that could actually have a negative effect on his popularity. Hmm…

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>AI, Season 7

>AI is a favorite show of mine and has been for years, although I’m usually not one to blog about such things. This morning I was reading Belinda’s blog and AI was the topic. While writing a comment, I realized I do get rather caught up in rooting for my favs. This year, I feel they have the most talented group yet. The competition is going to get FIERCE!

This week I wouldn’t be surprised to see Luke Menard and Cady Malloy go bye-bye. Luke because his voice grates on my nerves (and I figure others out there must feel the same way). I think he’d be great as a tenor in a group, but I wouldn’t want to listen to him as a solo artist. Cady because I don’t think she’s been bringing it like she should have to survive. Not with the competition she’s got.

As for others that might be in trouble?
**Brooke White and Jason Castro need to step it up, show that they’ve got more than the laid-back sound inside them. Jason more so than Brooke.
**Amanda Obermyer is another that needs to show the world that she’s more than a one trick pony. We know you can do hard-edged rock, girlfriend. Now how about putting that rough-voiced sound to a slow but heartfelt ballad and blow us away with your softer side?

Things that bug me, but have nothing to do with singing?
David Cook and Ramiele Malubay’s hair styles. Jason Castro’s is weird, but it seems to fit with his sound. David’s looks like he’s trying to compensate for what’s not on top and Ramiele? That whole side-swatch-falling-down thing drives me crazy!

So…how about you? Do you watch AI? Got any predictions or gripes you’d like to voice?

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