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25K in 31 Days: May 1-31
And here I am with a lovely sinus infection to start off the month. All I feel like is burrowing under the covers with a box of tissues. *sneeze*sniff*cough*ahem! And to top that off, I’m back to ’empty nester’ status today. *sniff, sniff*
“Be careful out there, J! Never forgot who you are. Love, Mom”
Okay, back to writing… (love this draft blogger thing where I can schedule posts)
>It amazes me when people confess that they don’t utilize critique partners (CP’s) for whatever reason. Either they’re shy about their work, they don’t like others reading their work (In which case I’m left wondering why they’re seeking publication – head scratcher, much?), they’re afraid their stuff stinks and they’ll be embarassed, etc… There are a myriad of reasons. But I wonder, do those reasons/excuses outweigh the positive aspects of having someone else look at and read your work? And really, how are you going to know if your stuff stinks or how to fix it if you don’t get help? You can study craft books until you’re dizzy, but someone pointing out examples in your own work can be invaluable.
With that in mind, I’ve come up with five (5) good reasons why writers SHOULD utilize CP’s. (Please don’t think these are the only reasons. They’re not – just 5 good ones I thought of rather quickly.):
1. Brain hiccups or echoes.
CP’s find words that you’ve used multiple times, sometimes in rapid succession. And no matter how many times you’ve been over that same manuscript, you’ll most likely never notice them because you’re focused on the story you’re telling rather than the individual words. Hiccups. Echoes. Whatever you choose to call them, they creep into our work and hide until a fresh pair of eyes sees them in startling numbers. And horrors! It’s not always the same word in the next manuscript you write, which makes it doubly hard to do a search and highlight and catch them all.
Perfect Example: Last week I started getting critiques back from the Rebels online group on Her Unexpected Family. Boy was I surprised when one CP found several instances of the word ‘out,’ not in one chapter, but several. So I did a search and highlight throught the whole manuscript and found…(are you ready for this?) 268!!! :-O That’s an average of 1 per page. Of course, some pages had none, but others had several. Yikes. Talk about enough repetition to annoy your reader!
Because she’d found a few more ‘up’ words than I remembered using, I checked for those too. 205 of those showed up. Double yikes. Can we say RUT? Closer to the Marianas Trench. I definitely need to find new ways of saying things.
2. Grammar/usage mistakes:
Every writer has things they just can’t seem to get straight, whether it’s the use of commas, sit/sat, lay/laid, or my personal nit: always putting the apostrophe in ‘it’s.’ Now, I know that ‘it’s’ is a conjunction of ‘it is’ and there’s no apostrophe when saying “Keep your hair its natural color.” but my fingers type it in there every time. After several critiques, I became aware I did this, and now I know to do a search for ‘it’s’ through the entire manuscript before sending it out to CP’s. Every little nit that you can fix before hand is less work for others and a cleaner manuscript going to industry professionals when you submit.
3. Plot problems:
This one is a biggie. You dreamed up that twist for the middle out of desperation to have something exciting happen, and you were happy to have thought of it. Too bad your heroine, who hid in a closet in Chapter 3 to avoid capture has suddenly developed severe claustrophobia, causing her life to be in jeopardy once again. Hmm… See the problem?
4. You learn the difference between a question you want asked and one you don’t.
In other words, some questions you want the reader to ask. It shows they’re interested in the character and there are enough questions to keep them reading. But the “I don’t understand why he’s acting so mean to her.”/”He’s mean. I don’t like him.” or “I’m not getting the gist of their conversation here.” type questions may mean you haven’t shown the character’s motivations clearly or you’ve been too vague with your clues and need work on that area.
5. Revision flubs:
This manuscript I’m sending through my CP group isn’t a rough draft. I do a lot of revising, layering and tweaking as I go. Then I had a published author read the synopsis and 1st chapter, and made more revisions based on her comments. My first reader/CP also pointed out things that have been corrected. But all those revisions/tweaks/layering tends to leave behind what I call ‘flubs’ such as a left-out word or one too many.
Examples:
For months her friend been waiting patiently, with a question in her eyes and a worried frown.
The soft clops of her shoes made grew fainter with each step.
And a bonus reason? Brainstorming! OMG, brainstorming can be so much fun, both for your own work and when helping others plot their books.
Bite the bullet. Find a CP you’re comfortable with. Better yet, find more than one.
Happy writing!
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CataUniversity’s May Challenge begins tomorrow!
>First of all, let me say that some people don’t question what they should write or where their voice fits. It comes naturally and they just write. Second, I officially hate those people. Okay, maybe hate is too strong a word. 🙂 Do I harbor a bit of good-natured resentment or envy? Definitely. Even more so those people who seem to be able to write in 3-4 subgenres and do it well.
For those of us regular folks, finding what subgenre you’re most comfortable writing in can be a long, slippery trail to mass confusion, a lovely lightbulb moment, or a slow dawning.
For me, it was the slow dawning, a feeling that I’d slipped on a shoe I could walk in for some time. Here’s how it happened for me.
When I started writing 5 years ago, I knew I wanted to write series romance, but wasn’t sure what line. Sexy, sweet, hot, family & community, medical, and inspirational lines; there are a ton to choose from. I started with what I most loved to read: Desire, Blaze, HAR and SSE. I added Superromance and after reading a few (dozens) I settled on either Desire or SSE.
At that point, I wish I could say I simply picked one and wrote, but that would be far from the truth. I did start writing and the story was a marriage of convenience (or MOC as we call it in the romance genre). The very first scene I wrote was a love scene, just to see if I could. It turned out fairly decent, so Desires weren’t ruled out entirely.
Mind you, I hadn’t done any research on the lines other than reading them for years. That’s quite valuable, but it’s not enough. My first query and quick form rejection showed me that. I began to read even more and started a spreadsheet on Special Edition, recording the things I felt would show me changes in the line, trends, etc. Still not enough. I searched the online loops and eHarlequin forums for any tidbits about line/house preferences for editors, formatting, submissions, and more. Editor Q&A’s I glommed onto, reading and re-reading.
Even while all that was going on, I still entertained the notion I’d like to write for Desire. After finishing two SSE manuscripts, I began work on a Desire. It did fairly well in contests and even got a partial request, but the line requirements changed and it no longer fit. I liked writing a little hotter, though and tried my hand at a little erotic romance and short stories with modest successes.
The more research I did and the more I wrote, I realized that most of my heroes weren’t uber alpha and my stories always managed to include family, close friends and children, even the short stories. More reading, and I kept up with the current books in the SSE line. Then I pitched to Susan Litman at Nat’l and felt as much of a connection as you can feel when you’re nerves are frazzled and you have 10 minutes to stir interest in your work. She requested a full.
I revised the manuscript heavily before sending it and the line began to feel like an old friend. For the first time I felt like I’d hit upon something I could write for years (and hope I get the chance to).
Now that doesn’t mean that I’ve put aside ambitions to write for Desire or even EroRom or short stories. I still love them, but my current focus is on getting published through SSE. If the current manuscript being considered by the SSE editors isn’t accepted, I’ll keep trying. Once I’ve accomplished that goal and can write 2-3 a year, I can focus on adding another line.
How about you? Are you one of those people I envy? Are you still struggling, or have you had that lightbulb moment?
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CataUniversity’s May Challenge begins in 2 days!
CAROL BURNSIDE / ANNIE RAYBURN 